1373 lines
79 KiB
HTML
1373 lines
79 KiB
HTML
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<!DOCTYPE html>
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<html prefix="og: http://ogp.me/ns#" xmlns="http://www.w3.org/1999/xhtml" xml:lang="de-de" lang="de-de" dir="ltr">
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<head>
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<!-- Google Tag Manager -->
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<script>(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start':
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new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0],
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j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src=
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'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f);
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})(window,document,'script','dataLayer','GTM-N4RGFDN');</script>
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<meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no" />
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<base href="https://nachtkritik.de/kolumnen-georg-kasch/kolumne-queer-royal-ueber-dragqueens-und-dragkings-auf-und-jenseits-der-buehne" />
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<meta http-equiv="content-type" content="text/html; charset=utf-8" />
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<meta name="keywords" content="Queer Royal, Dragqueen, Dragking" />
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<meta name="author" content="Georg Kasch" />
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<meta name="description" content="nachtkritik.de - das unabhängige Theaterportal" />
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<meta name="generator" content="Joomla! - Open Source Content Management" />
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<title>Kolumne: Queer Royal – Über Dragqueens und Dragkings auf und jenseits der Bühne</title>
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<link href="/templates/bootstrap4/favicon.ico" rel="shortcut icon" type="image/vnd.microsoft.icon" />
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<link href="/components/com_jcomments/tpl/default/style.css?v=3002" rel="stylesheet" type="text/css" />
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<link href="https://cdn.jsdelivr.net/npm/simple-line-icons@2.4.1/css/simple-line-icons.css" rel="stylesheet" type="text/css" />
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<link href="/components/com_k2/css/k2.css?v=2.10.3&b=20200429" rel="stylesheet" type="text/css" />
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<link href="/media/syw/css/fonts-min.css" rel="stylesheet" type="text/css" />
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<link href="/cache/mod_latestnewsenhancedpro/style_10537.css?9455181231cf1c1e252b3ac67ff4ff13" rel="stylesheet" type="text/css" />
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<link href="/modules/mod_latestnewsenhancedextended/styles/common_styles-min.css?9455181231cf1c1e252b3ac67ff4ff13" rel="stylesheet" type="text/css" />
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<link href="/plugins/system/jce/css/content.css?badb4208be409b1335b815dde676300e" rel="stylesheet" type="text/css" />
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<link href="/templates/bootstrap4/css/bootstrap.min.css" rel="stylesheet" type="text/css" />
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<link href="/templates/bootstrap4/css/font-awesome.min.css" rel="stylesheet" type="text/css" />
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<link href="/templates/bootstrap4/css/splide.min.css" rel="stylesheet" type="text/css" />
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<link href="/templates/bootstrap4/css/template.css?v=53" rel="stylesheet" type="text/css" />
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<link href="/templates/bootstrap4/css/eucookies.css" rel="stylesheet" type="text/css" />
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<link href="https://nachtkritik.de/modules/mod_onpageload_popup/tmpl/css/jquery.aolp.css" rel="stylesheet" type="text/css" />
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<link href="/media/mod_jcomments_latest/css/style.css" rel="stylesheet" type="text/css" />
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<link href="/templates/bootstrap4/css/djmegamenu.css?v=4.0.0.pro" rel="stylesheet" type="text/css" />
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<link href="/modules/mod_djmegamenu/assets/css/animations.css?v=4.0.0.pro" rel="stylesheet" type="text/css" />
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<link href="//maxcdn.bootstrapcdn.com/font-awesome/4.7.0/css/font-awesome.min.css" rel="stylesheet" type="text/css" />
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<link href="https://nachtkritik.de/modules/mod_datetime/tmpl/default.css" rel="stylesheet" type="text/css" />
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<style type="text/css">
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#nkr-social-media {
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line-height: 1;
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margin-top: 4em;
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margin-bottom: 2em;
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}
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#nkr-social-media .sharing-button {
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text-decoration: none;
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}
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#nkr-social-media .sharing-button svg {
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height: 2em;
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width: 2em;
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}
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.dj-hideitem { display: none !important; }
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.aolp-lock{overflow:hidden !important}
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#aolp-overlay10470{
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background: url("https://nachtkritik.de//modules/mod_onpageload_popup/tmpl/images/bg_1.png") repeat scroll 0 0 ;
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}
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#aolp-skin10470{
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background: #ffffff;
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color:#333333;
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border: 0px none #ffffff;
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border-radius:0px;
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}
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#aolp-close10470{
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background:url('https://nachtkritik.de//modules/mod_onpageload_popup/tmpl/images/close_button_1.png');}
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#aolp-close10470.flat-close-btn{
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color:#000000;
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font-size: 50px;
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}
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</style>
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<script type="application/json" class="joomla-script-options new">{"csrf.token":"ca7a7e9ab4af5ee9491d6bd3b48fb19a","system.paths":{"root":"","base":""},"system.keepalive":{"interval":1440000,"uri":"\/component\/ajax\/?format=json"},"joomla.jtext":{"JLIB_FORM_FIELD_INVALID":"Ung\u00fcltiges Feld: "}}</script>
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<script src="/components/com_jcomments/js/jcomments-v2.3.js?v=12" type="text/javascript"></script>
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<script src="/components/com_jcomments/libraries/joomlatune/ajax.js?v=4" type="text/javascript"></script>
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<script src="/media/jui/js/jquery.min.js?9455181231cf1c1e252b3ac67ff4ff13" type="text/javascript"></script>
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<script src="/media/jui/js/jquery-noconflict.js?9455181231cf1c1e252b3ac67ff4ff13" type="text/javascript"></script>
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<script src="/media/jui/js/jquery-migrate.min.js?9455181231cf1c1e252b3ac67ff4ff13" type="text/javascript"></script>
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<script src="/media/k2/assets/js/k2.frontend.js?v=2.10.3&b=20200429&sitepath=/" type="text/javascript"></script>
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<script src="/media/system/js/core.js?9455181231cf1c1e252b3ac67ff4ff13" type="text/javascript"></script>
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<!--[if lt IE 9]><script src="/media/system/js/polyfill.event.js?9455181231cf1c1e252b3ac67ff4ff13" type="text/javascript"></script><![endif]-->
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<script src="/media/system/js/keepalive.js?9455181231cf1c1e252b3ac67ff4ff13" type="text/javascript"></script>
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<script src="/media/system/js/punycode.js?9455181231cf1c1e252b3ac67ff4ff13" type="text/javascript"></script>
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<script src="/media/system/js/validate.js?9455181231cf1c1e252b3ac67ff4ff13" type="text/javascript"></script>
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<script src="/media/plg_captcha_recaptcha/js/recaptcha.min.js?9455181231cf1c1e252b3ac67ff4ff13" type="text/javascript"></script>
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<script src="https://www.google.com/recaptcha/api.js?onload=JoomlaInitReCaptcha2&render=explicit&hl=de-DE" type="text/javascript"></script>
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<script src="/media/system/js/caption.js?9455181231cf1c1e252b3ac67ff4ff13" type="text/javascript" async="async"></script>
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<script src="/media/jui/js/bootstrap.min.js?9455181231cf1c1e252b3ac67ff4ff13" type="text/javascript" async="async"></script>
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<script src="/templates/bootstrap4/js/popper.min.js" type="text/javascript"></script>
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<script src="/templates/bootstrap4/js/bootstrap.min.js" type="text/javascript"></script>
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<script src="/templates/bootstrap4/js/splide.min.js" type="text/javascript"></script>
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<script src="/templates/bootstrap4/js/cookie.js" type="text/javascript"></script>
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<script src="/templates/bootstrap4/js/template.js?v=11" type="text/javascript"></script>
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<script src="https://nachtkritik.de/modules/mod_onpageload_popup/tmpl/js/jquery.aolp.js" type="text/javascript"></script>
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<script src="https://nachtkritik.de/modules/mod_onpageload_popup/tmpl/js/jquery.aolp-media.js" type="text/javascript"></script>
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<script src="https://nachtkritik.de/modules/mod_onpageload_popup/tmpl/js/jquery-cookie.js" type="text/javascript"></script>
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<script src="/modules/mod_djmegamenu/assets/js/jquery.djmegamenu.js?v=4.0.0.pro" type="text/javascript" defer="defer"></script>
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<script src="/plugins/system/cleantalkantispam/js/ct-functions.js?1698843380" type="text/javascript"></script>
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<script src="https://moderate.cleantalk.org/ct-bot-detector-wrapper.js" type="text/javascript"></script>
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<script type="text/javascript">
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function JCommentsInitializeForm()
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{
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var jcEditor = new JCommentsEditor('comments-form-comment', true);
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jcEditor.addCounter(4000, '', ' Zeichen stehen noch zu Verfügung', 'counter');
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jcomments.setForm(new JCommentsForm('comments-form', jcEditor));
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}
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if (window.addEventListener) {window.addEventListener('load',JCommentsInitializeForm,false);}
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else if (document.addEventListener){document.addEventListener('load',JCommentsInitializeForm,false);}
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else if (window.attachEvent){window.attachEvent('onload',JCommentsInitializeForm);}
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else {if (typeof window.onload=='function'){var oldload=window.onload;window.onload=function(){oldload();JCommentsInitializeForm();}} else window.onload=JCommentsInitializeForm;}
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//-->
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<!--
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var jcomments=new JComments(23048, 'com_content','/component/jcomments/');
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jcomments.setList('comments-list');
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//-->
jQuery(window).on('load', function() {
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new JCaption('img.caption');
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});
jQuery(document).ready(function(){ var autoPopup10470= jQuery("#aolp-10470").aolp({
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autoSize : false,
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padding : 0,
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margin : 0,
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modal: false,
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width: 575,
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maxWidth :575,
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height : 525,
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maxHeight : 525,
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afterClose :function(){ var cookie_date = new Date(); cookie_date.setTime(cookie_date.getTime() + (30 * 60 * 1000)); jQuery.cookie('the_cookie10470', 'true' ,{ expires: cookie_date,path: '/'});},
|
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|||
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tpl: {
|
|||
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wrap : '<div class="aolp-wrap animate__animated animate__none animate__default" tabIndex="-1" id="aolp-wrap10470"><div id="aolp-skin10470" class="aolp-skin"><div class="aolp-outer"><div class="aolp-inner"></div></div></div></div>',
|
|||
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closeBtn : '<a title="Close" id="aolp-close10470" class="aolp-item aolp-close" href="javascript:;"></a>',
|
|||
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},
|
|||
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helpers: { overlay: { lbwrap: '<div class="aolp-overlay" id="aolp-overlay10470"></div>',opacity: 0.5, }}
|
|||
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|||
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});if (jQuery.cookie('the_cookie10470')) { jQuery("#aolp-10470").hide(); } else{ autoPopup10470.trigger('click'); } });
jQuery(function($){ initTooltips(); $("body").on("subform-row-add", initTooltips); function initTooltips (event, container) { container = container || document;$(container).find(".hasTooltip").tooltip({"html": true,"container": "body"});} });
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(function(){
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var cb = function() {
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var add = function(css, id) {
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if(document.getElementById(id)) return;
|
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var l = document.createElement('link'); l.rel = 'stylesheet'; l.id = id; l.href = css;
|
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var h = document.getElementsByTagName('head')[0]; h.appendChild(l);
|
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}
|
|||
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add('/media/djextensions/css/animate.min.css', 'animate_min_css');
|
|||
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add('/media/djextensions/css/animate.ext.css', 'animate_ext_css');
|
|||
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};
|
|||
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var raf = requestAnimationFrame || mozRequestAnimationFrame || webkitRequestAnimationFrame || msRequestAnimationFrame;
|
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if (raf) raf(cb);
|
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else window.addEventListener('load', cb);
|
|||
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})();
|
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(function(){
|
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var cb = function() {
|
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var add = function(css, id) {
|
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if(document.getElementById(id)) return;
|
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var l = document.createElement('link'); l.rel = 'stylesheet'; l.id = id; l.href = css;
|
|||
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var h = document.getElementsByTagName('head')[0]; h.appendChild(l);
|
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}
|
|||
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add('/media/djextensions/css/animate.min.css', 'animate_min_css');
|
|||
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add('/media/djextensions/css/animate.ext.css', 'animate_ext_css');
|
|||
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};
|
|||
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var raf = requestAnimationFrame || mozRequestAnimationFrame || webkitRequestAnimationFrame || msRequestAnimationFrame;
|
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if (raf) raf(cb);
|
|||
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else window.addEventListener('load', cb);
|
|||
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})();
var ct_setcookie = 1;
ctSetCookie("ct_checkjs", "1651070275", "0");
|
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</script>
|
|||
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<link href="http://feeds.feedburner.com/" rel="alternate" type="application/rss+xml" title="neueste texte" />
|
|||
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<link href="http://feeds.feedburner.com/" rel="alternate" type="application/rss+xml" title="nachtkritiken" />
|
|||
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<link href="http://feeds.feedburner.com/" rel="alternate" type="application/rss+xml" title="porträt & debatte" />
|
|||
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<link href="http://feeds.feedburner.com/" rel="alternate" type="application/rss+xml" title="presseschau" />
|
|||
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<link href="http://feeds.feedburner.com/" rel="alternate" type="application/rss+xml" title="bücher" />
|
|||
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<link href="http://feeds.feedburner.com/" rel="alternate" type="application/rss+xml" title="meldungen" />
|
|||
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<link href="http://feeds.feedburner.com/" rel="alternate" type="application/rss+xml" title="Blogbox Werbung Info" />
|
|||
|
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<meta property="og:image" content="/images/no-img_460x320_logo.jpg" />
|
|||
|
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<meta name="twitter:image" content="/images/no-img_460x320_logo.jpg" />
|
|||
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|
|||
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<link href="https://fonts.googleapis.com/css?family=Open+Sans:300,300i,400,400i,600,700&display=swap" rel="stylesheet">
|
|||
|
|
<link href="https://fonts.googleapis.com/icon?family=Material+Icons" rel="stylesheet">
|
|||
|
|
<link rel="shortcut icon" href="/templates/bootstrap4/favicon.ico" />
|
|||
|
|
<!--[if lt IE 9]>
|
|||
|
|
<script src="/media/jui/js/html5.js"></script>
|
|||
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<![endif]-->
|
|||
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</head>
|
|||
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<body class="desk">
|
|||
|
|
<noscript><iframe src="https://www.googletagmanager.com/ns.html?id=GTM-N4RGFDN"
|
|||
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height="0" width="0" style="display:none;visibility:hidden"></iframe></noscript>
|
|||
|
|
<div style="text-align:right;font-size:0.8rem;">
|
|||
|
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</div>
|
|||
|
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|
|||
|
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<div id="top">
|
|||
|
|
<div class="container topad">
|
|||
|
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<div class="topad1">
|
|||
|
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|
|||
|
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|
|||
|
|
<div class="nkmod" >
|
|||
|
|
<p><ins class="asm_async_creative" style="display:inline-block; width:600px; height:auto;text-align:left; text-decoration:none;" data-asm-cdn="cdn.adspirit.de" data-asm-host="unitedtalents.adspirit.de" data-asm-params="pid=1&gdpr_consent=[consentstring]"></ins><script src="//cdn.adspirit.de/adasync.min.js" async type="text/javascript"></script></p></div>
|
|||
|
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|
|||
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</div>
|
|||
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<div class="topad2">
|
|||
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|
|||
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|
|||
|
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<div class="nkmod" >
|
|||
|
|
<p><ins class="asm_async_creative" style="display:inline-block; width:210px; height:auto;text-align:left; text-decoration:none;" data-asm-cdn="cdn.adspirit.de" data-asm-host="unitedtalents.adspirit.de" data-asm-params="pid=9&gdpr_consent=[consentstring]"></ins><script src="//cdn.adspirit.de/adasync.min.js" async type="text/javascript"></script></p></div>
|
|||
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|
|||
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</div>
|
|||
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<div class="topad3">
|
|||
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|
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|
|||
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<div class="nkmod" >
|
|||
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<p><ins class="asm_async_creative" style="display:inline-block; width:210px; height:auto;text-align:left; text-decoration:none;" data-asm-cdn="cdn.adspirit.de" data-asm-host="unitedtalents.adspirit.de" data-asm-params="pid=15&gdpr_consent=[consentstring]"></ins><script src="//cdn.adspirit.de/adasync.min.js" async type="text/javascript"></script></p></div>
|
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</div>
|
|||
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</div>
|
|||
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</div>
|
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|
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<div id="wrap">
|
|||
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<div id="head">
|
|||
|
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|
|||
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<header class="container">
|
|||
|
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|
|||
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<div id="navwrap">
|
|||
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|
|||
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<div class="navtop">
|
|||
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|
|||
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<span class="mod_datetime"><time datetime="2023-11-01T13:56:20+01:00">Mittwoch, 01. November 2023</time></span>
|
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Kolumne: Queer Royal - Über Dragqueens und Dragkings auf und jenseits der Bühne </h2>
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<p class="text_titel">Im Schlepptau</p>
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<p><span class="text_datum">31. Oktober 2023.</span> Dragqueens sind Kunstfiguren aus Make-Up und Glitter, auf Partys und in Shows, auch in der Freien Szene und im Stadttheater. Jetzt finden sie sich zunehmend in den Schusslinien der Identitätsdebatten wieder.</p>
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<p class="text_autor">Von Georg Kasch</p> </div>
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<p><span class="text_datum">31. Oktober 2023.</span> Woher kommt eigentlich der Hass auf Dragqueens? Früher, als Travestiekünstler wie Georg Preuße und Reiner Kohler noch als Mary und Gordy die Bühnen beherrschten, lagen ihnen die Menschen zu Füßen. Heute müssen Dragqueens damit rechnen, beleidigt oder verprügelt zu werden, nicht nur dann, <a href="/kolumnen-georg-kasch/kolumne-queer-royal-ueber-draglesungen-und-kindeswohl" target="_self">wenn sie Kindern Geschichten vorlesen</a>. Und wenn ein Rapper wie Fler es wagt, ein Selfie mit einer Dragqueen zu posten, <a href="https://www.tagesspiegel.de/berlin/selfie-mit-dragqueen-olivia-jones-berliner-rapper-fler-erntet-hass-kommentare-nach-insta-post-9974589.html" target="_blank" rel="noopener">folgt ein Shitstorm</a>.</p>
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<p>Was ist da schiefgelaufen? Vermutlich geraten Dragqueens, diese Kunstfiguren aus Make-Up und Glitter, in die Schusslinie der Identitätsdebatte, weil die Schießenden – Rechtsidentitäre, Erzkonservative, Maskulinisten und alle, die fest daran glauben, dass Männer vom Mars und Frauen von der Venus sind – alles geschlechtlich Nicht-Eindeutige in einen Hass-Topf werfen, nicht unterscheiden zwischen dem Als-ob einer Dragqueen, trans Menschen und <a href="https://de.wikipedia.org/wiki/Nichtbin%C3%A4re_Geschlechtsidentit%C3%A4t" target="_blank" rel="noopener">Enbies</a> (wobei eine Unterscheidung den Hass nicht besser machen würde, klar).</p>
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<div class="textad"><html prefix="og: http://ogp.me/ns#"><body><p><ins class="asm_async_creative" style="display:inline-block; width:800px; height:auto;text-align:left; text-decoration:none;" data-asm-cdn="cdn.adspirit.de" data-asm-host="unitedtalents.adspirit.de" data-asm-params="pid=31&gdpr_consent=[consentstring]"></ins><script src="//cdn.adspirit.de/adasync.min.js" async type="text/javascript"></script></p></body></html></div><p class="text_zwischentitel">Dressed as a girl</p>
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<p>Dabei hat die Identität der einen nichts mit dem Als ob von Dragqueens und Dragkings zu tun, die ja Theater sind, Verwandlung – nach der Show, Party, Pride-Parade wird abgeschminkt. Der Begriff drag soll auf Shakespeare zurückgehen (angeblich schrieb er drag – dressed as a girl – in die Anweisungen seiner Dramen; vielleicht kommt der Begriff aber auch nur vom Schleppen der üppigen Kostüme). So genommen wäre jeder Geschlechterwechsel auf der Bühne drag, und so werden sie in jüngster Zeit inszeniert (man denke nur an all die "Was ihr wollt"-Abende landauf landab, gerade erst in <a href="/nachtkritiken/deutschland/baden-wuerttemberg/mannheim/nationaltheater-mannheim/was-ihr-wollt-nationaltheater-mannheim" target="_self">Mannheim</a> und <a href="/nachtkritiken/deutschland/bayern/muenchen/muenchner-volkstheater/was-ihr-wollt-muenchner-volkstheater-intendant-christian-stueckl-zeigt-shakespeares-komoedien-personal-in-einem-liebes-gluecksspiel-labor" target="_self">München</a> wieder): knallbunt und ziemlich queer.</p>
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<p>Aber Obacht: Nicht jeder Mann, der auf der Bühne vermeintliche Frauenklamotten anzieht, ist drag. Denn anders als die Travestiekünstler alten Schlags haben Dragqueens einen fixen Namen, eine Persona, eine Charakterpalette – und oft auch eine Botschaft. Man kann das wunderbar in RuPauls Fernsehshow "Dragrace" beobachten (gibt’s jetzt sogar in einer deutschen Version), in der die Bewerber:innen in den unterschiedlichen Kategorien gegeneinander antreten.</p>
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<div class="textad"><html prefix="og: http://ogp.me/ns#"><body><p><ins class="asm_async_creative" style="display:inline-block; width:800px; height:auto;text-align:left; text-decoration:none;" data-asm-cdn="cdn.adspirit.de" data-asm-host="unitedtalents.adspirit.de" data-asm-params="pid=33&gdpr_consent=[consentstring]"></ins><script src="//cdn.adspirit.de/adasync.min.js" async type="text/javascript"></script></p></body></html></div><p class="text_zwischentitel">Verzerrungen, Überbetonungen, Glitches</p>
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<p>Oder im Theater, wo es neben vielen Referenzen auf und Reverenzen an die Drag-Kultur auch echten Dragqueens gibt. Bastian Kraft etwa inszenierte den Andersen-Abend <a href="https://www.nachtkritik.de/nachtkritiken/deutschland/berlin-brandenburg/berlin/deutsches-theater-berlin/ugly-duckling-deutsches-theater-berlin-bastian-kraft-erzaehlt-in-einer-drag-show-maerchen-von-hans-christian-andersen" target="_blank" rel="noopener">Ugly Duckling</a> am Deutschen Theater Berlin als Drag-Empowerment (und stellte in "Rusalka" an der Staatsoper Stuttgart den Hauptrollen je einen Dragartist an die Seite). Alain Platel setzte ihrer Kunst, aber auch ihrem Kampf in <a href="/nachtkritiken/frankreich/avignon/festival-d-avignon/gardenia-nalain-platel-avignon" target="_self">Gardenia</a> ein melancholisches Denkmal. Und Künstler:innen wie Taylor Mac (etwa in <a href="/nachtkritiken/deutschland/berlin-brandenburg/berlin/berliner-festspiele/holiday-sauce-pandemic-berliner-festspiele-ibsen-award-gewinner-taylor-mac-entwirft-gemeinsam-mit-s-einer-drag-community-einen-glamouroesen-ersatz-fuer-das-konzept-dysfunktionaler-familienweihnachten" target="_self">Holiday Sauce... Pandemic!</a>), Olympia Bukkakis und Le Gateau Chocolat (in Tobias Kratzers <a href="/nachtkritiken/deutschland/bayern/bayreuth/bayreuther-festspiele/tannhaeuser-bayreuther-festspiele-tobias-kratzer-inszeniert-richard-wagners-oper-als-konflikt-zwischen-revolution-und-kunstreligion" target="_self">Tannhäuser</a>) weiten mit ihren Bühnenpersonae das Ausdrucks- und Möglichkeitsspektrum des klassischen Dragqueen-Bilds. Anders als bei der Travestie steht bei den Dragqueens nämlich nicht die perfekte Imitation im Vordergrund, sondern eine kreative Explosion der als weiblich gelesenen Äußerlichkeiten mit Verzerrungen, Überbetonungen, Glitches. Und "schleppen" damit noch ein paar Deutungsangebote mehr mit.</p>
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<p>Übrigens gibt als Äquivalent den Dragking. Eine Pionierin war die Künstler:in Diane Torr, die "Man for a Day"-Workshops veranstaltete, in denen Frauen damit experimentierten, sich wie Männer zu verhalten. Das Künstlerinnenkollektiv hannsjana und das Berliner Theater Thikwa haben ihr und den Dragkings in <a href="https://www.thikwa.de/stuecke/diane-for-a-day/" target="_blank" rel="noopener">Diane for a Day</a> ein hinreißend klebebärtiges Denkmal gesetzt. Bridge Markland, mit ihren Klassikern aus der Box längst Kult (ihre Lipsync-Kunst stammt ja auch aus der Drag-Kultur), gehört seit vielen Jahrzehnten zu den bekanntesten Berliner Dragkings. Und die Sängerin Cora Frost tritt regelmäßig als Peter Frost auf und war vor Jahren bei der Berliner Puppensplattertruppe Das Helmi der schmierig-schmerbäuchigste Rainer Werner Fassbinder aller Zeiten (in "Große Vögel, kleine Vögel").</p>
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<div class="textad"><html prefix="og: http://ogp.me/ns#"><body><p><ins class="asm_async_creative" style="display:inline-block; width:800px; height:auto;text-align:left; text-decoration:none;" data-asm-cdn="cdn.adspirit.de" data-asm-host="unitedtalents.adspirit.de" data-asm-params="pid=34&gdpr_consent=[consentstring]"></ins><script src="//cdn.adspirit.de/adasync.min.js" async type="text/javascript"></script></p></body></html></div><p class="text_zwischentitel">Erb:innen der Polittunten</p>
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<p>Dann gibt’s noch einen Sonderfall: die Trümmer- oder Polit-Tunte, schwule Männer, die eher rumpelig mit weiblich gelesenen Merkmalen spielen, um politische Zeichen zu setzen. Ende der 1980er Jahre entwickelten sie unter anderem gesellschaftskritische Bühnenshows, waren in der AIDS-Aufklärung aktiv, gründeten einen ambulanten AIDS-Pflege-Dienst sowie eine Agentur für schwul-lesbische Künstler:innen, sprangen also beherzt in jene Lücke, die ein ablehnend-verständnisloser Staat zunächst ließ.</p>
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<p>Simon(e) J. Paetau, Jair Luna und Iury Trojaborg haben ihnen in <a href="https://ballhausnaunynstrasse.de/play/frutas_afrodisiacas/" target="_blank" rel="noopener">Frutas Afrodisíacas</a>, eine Koproduktion von Ballhaus Naunynstraße und Gorki Theater, ein liebevolles Denkmal gesetzt. Ihr Erbe übernehmen heute die Schwestern der Perpetuellen Indulgenz, weiß geschminkte Glitzergesichter unter voluminösen Ordenshauben, die sich auf Partys und Straßenfesten unter anderem für die HIV-Aufklärung einsetzen.</p>
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<p>Was sie alle eint ist, Geschlecht als Konstruktion zu entlarven und seine Merkmale als das, was sie sind: Spielmaterial, das irgendwann mal zur Norm wurde. Was sie von den Travestiekünstler:innen alten Schlags unterscheidet: Ihre Kunst findet nicht nur auf der Bühne, sondern auch in anderen Öffentlichkeiten statt (und sei es nur auf der U-Bahn-Fahrt zur nächsten Feier). Mary und Gordy blieben als Kunstfiguren auf die Theater und das Fernsehen beschränkt. Auf der Straße wäre es ihnen damals vermutlich nicht anders ergangen als den Dragqueens heute.</p>
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<p> </p><div class="profile"><div class="text_besetzung"><a href="/index.php?option=com_content&view=category&layout=bootstrap4:column&id=1505&Itemid=101001"><img src="/images/stories/kolumne/NAC_Illu_Kolumne_Kasch_2x2.png" alt=" " title=" "><h4>Kolumne: Queer Royal</h4><p class="text_titel">Georg Kasch</p>
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<p class="info">Georg Kasch, Jahrgang 1979, ist Redakteur von nachtkritik.de. Er studierte Neuere deutsche Literatur, Theaterwissenschaft und Kulturjournalismus in Berlin und München. In seiner Kolumne "Queer Royal" blickt er jenseits heteronormativer Grenzen auf Theater und Welt.</p></a></div></div><div id="nkr-social-media">
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<h3>mehr Kolumnen</h3>
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<div style="display:none">images/stories/kolumne/NAC_Illu_Kolumne_Behrens_2x2.png</div>
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<a href="/kolumnen-wolfgang-behrens/kolumne-als-ich-noch-ein-kritiker-war-ueber-das-spiel-mit-den-pseudonymen">
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<img src="/images/stories/kolumne/NAC_Illu_Kolumne_Behrens_2x2.png" alt="" title="Kolumne: Als ich noch ein Kritiker war – Über das Spiel mit den Pseudonymen" >
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<a href="/kolumnen-wolfgang-behrens/kolumne-als-ich-noch-ein-kritiker-war-ueber-das-spiel-mit-den-pseudonymen" title="Kolumne: Als ich noch ein Kritiker war – Über das Spiel mit den Pseudonymen">
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<h3>Kolumne: Als ich noch ein Kritiker war </h3>
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<p> Über das Spiel mit den Pseudonymen</p> 24. Oktober 2023 </div>
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<img src="/images/stories/kolumne/NAC_Illu_Kolumne_Slevogt_2x2.png" alt="" title="Kolumne: Aus dem bürgerlichen Heldenleben – In der von Krieg und Terror geprägten Weltlage müssen wir ein berühmtes Diktum von Brecht überdenken" >
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<h3>Kolumne: Aus dem bürgerlichen Heldenleben </h3>
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<p> In der von Krieg und Terror geprägten Weltlage müssen wir ein berühmtes Diktum von Brecht überdenken</p> 18. Oktober 2023 </div>
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<a href="/kolumnen-janis-el-bira/kolumne-strassentheater-ueber-notwendige-zeichen-der-anteilnahme">
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<img src="/images/stories/kolumne/NAC_Illu_Kolumne_ElBira_2x2.png" alt="" title="Kolumne: Straßentheater – Über notwendige Zeichen der Anteilnahme" >
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<a href="/kolumnen-janis-el-bira/kolumne-strassentheater-ueber-notwendige-zeichen-der-anteilnahme" title="Kolumne: Straßentheater – Über notwendige Zeichen der Anteilnahme">
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<h3>Kolumne: Straßentheater </h3>
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<p> Über notwendige Zeichen der Anteilnahme</p> 10. Oktober 2023 </div>
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|
</div>
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide__container">
|
|||
|
|
<div style="display:none">images/stories/kolumne/NAC_Kolumne_Wolf.png</div>
|
|||
|
|
<a href="/kolumnen-michael-wolf/kolumne-als-ob-wie-das-theater-die-realpolitik-fuer-sich-entdeckt">
|
|||
|
|
<img src="/images/stories/kolumne/NAC_Kolumne_Wolf.png" alt="" title="Kolumne: Als ob! – Wie das Theater die Realpolitik für sich entdeckt" >
|
|||
|
|
</a>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="slide-content">
|
|||
|
|
|
|||
|
|
<a href="/kolumnen-michael-wolf/kolumne-als-ob-wie-das-theater-die-realpolitik-fuer-sich-entdeckt" title="Kolumne: Als ob! – Wie das Theater die Realpolitik für sich entdeckt">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<h3>Kolumne: Als ob! </h3>
|
|||
|
|
<div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="date">
|
|||
|
|
<p> Wie das Theater die Realpolitik für sich entdeckt</p> 03. Oktober 2023 </div>
|
|||
|
|
|
|||
|
|
</a>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide__container">
|
|||
|
|
<div style="display:none">images/stories/kolumne/visuals_2023/23_NAC_kolumnen_einzel_hussein_2x2.png</div>
|
|||
|
|
<a href="/atif-mohammed-nour-hussein/kolumne-grand-guignol-im-opernhaus-ein-plaedoyer-fuer-mehr-krimis-auf-theaterbuehnen">
|
|||
|
|
<img src="/images/stories/kolumne/visuals_2023/23_NAC_kolumnen_einzel_hussein_2x2.png" alt="" title="Kolumne: Grand Guignol im Opernhaus – Ein Plädoyer für mehr Krimis auf Theaterbühnen" >
|
|||
|
|
</a>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="slide-content">
|
|||
|
|
|
|||
|
|
<a href="/atif-mohammed-nour-hussein/kolumne-grand-guignol-im-opernhaus-ein-plaedoyer-fuer-mehr-krimis-auf-theaterbuehnen" title="Kolumne: Grand Guignol im Opernhaus – Ein Plädoyer für mehr Krimis auf Theaterbühnen">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<h3>Kolumne: Grand Guignol im Opernhaus </h3>
|
|||
|
|
<div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="date">
|
|||
|
|
<p> Ein Plädoyer für mehr Krimis auf Theaterbühnen</p> 24. September 2023 </div>
|
|||
|
|
|
|||
|
|
</a>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide__container">
|
|||
|
|
<div style="display:none">images/stories/kolumne/NAC_Illu_Kolumne_Kasch_2x2.png</div>
|
|||
|
|
<a href="/kolumnen-georg-kasch/kolumne-queer-royal-queere-stoffe-die-neue-spielzeit-und-der-osten">
|
|||
|
|
<img src="/images/stories/kolumne/NAC_Illu_Kolumne_Kasch_2x2.png" alt="" title="Kolumne: Queer Royal – Queere Stoffe in der neuen Spielzeit und der Osten " >
|
|||
|
|
</a>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="slide-content">
|
|||
|
|
|
|||
|
|
<a href="/kolumnen-georg-kasch/kolumne-queer-royal-queere-stoffe-die-neue-spielzeit-und-der-osten" title="Kolumne: Queer Royal – Queere Stoffe in der neuen Spielzeit und der Osten ">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<h3>Kolumne: Queer Royal </h3>
|
|||
|
|
<div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="date">
|
|||
|
|
<p> Queere Stoffe in der neuen Spielzeit und der Osten </p> 20. September 2023 </div>
|
|||
|
|
|
|||
|
|
</a>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide__container">
|
|||
|
|
<div style="display:none">images/stories/kolumne/NAC_Illu_Kolumne_Behrens_2x2.png</div>
|
|||
|
|
<a href="/kolumnen-wolfgang-behrens/kolumne-als-ich-noch-ein-kritiker-war-nicht-jedes-theater-passt-ueberall-hin">
|
|||
|
|
<img src="/images/stories/kolumne/NAC_Illu_Kolumne_Behrens_2x2.png" alt="" title="Kolumne: Als ich noch ein Kritiker war – Nicht jedes Theater passt überall hin" >
|
|||
|
|
</a>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="slide-content">
|
|||
|
|
|
|||
|
|
<a href="/kolumnen-wolfgang-behrens/kolumne-als-ich-noch-ein-kritiker-war-nicht-jedes-theater-passt-ueberall-hin" title="Kolumne: Als ich noch ein Kritiker war – Nicht jedes Theater passt überall hin">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<h3>Kolumne: Als ich noch ein Kritiker war </h3>
|
|||
|
|
<div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="date">
|
|||
|
|
<p> Nicht jedes Theater passt überall hin</p> 12. September 2023 </div>
|
|||
|
|
|
|||
|
|
</a>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide__container">
|
|||
|
|
<div style="display:none">images/stories/kolumne/NAC_Illu_Kolumne_Slevogt_2x2.png</div>
|
|||
|
|
<a href="/kolumnen-esther-slevogt/kolumne-aus-dem-buergerlichen-heldenleben-5">
|
|||
|
|
<img src="/images/stories/kolumne/NAC_Illu_Kolumne_Slevogt_2x2.png" alt="" title="Kolumne: Aus dem bürgerlichen Heldenleben – Wie der Fall Aiwanger den unterschiedlichen Umgang mit der Vergangenheit in Ost und West aufzeigt" >
|
|||
|
|
</a>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="slide-content">
|
|||
|
|
|
|||
|
|
<a href="/kolumnen-esther-slevogt/kolumne-aus-dem-buergerlichen-heldenleben-5" title="Kolumne: Aus dem bürgerlichen Heldenleben – Wie der Fall Aiwanger den unterschiedlichen Umgang mit der Vergangenheit in Ost und West aufzeigt">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<h3>Kolumne: Aus dem bürgerlichen Heldenleben </h3>
|
|||
|
|
<div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="date">
|
|||
|
|
<p> Wie der Fall Aiwanger den unterschiedlichen Umgang mit der Vergangenheit in Ost und West aufzeigt</p> 05. September 2023 </div>
|
|||
|
|
|
|||
|
|
</a>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide__container">
|
|||
|
|
<div style="display:none">images/stories/kolumne/NAC_Illu_Kolumne_ElBira_2x2.png</div>
|
|||
|
|
<a href="/kolumnen-janis-el-bira/kolumne-strassentheater-ueber-freibaeder-als-theatrale-settings-egalitaere-orte-und-austragungsorte-gesellschaftlicher-konflikte">
|
|||
|
|
<img src="/images/stories/kolumne/NAC_Illu_Kolumne_ElBira_2x2.png" alt="" title="Kolumne: Straßentheater – Über Freibäder als theatrale Settings, egalitäre Orte und Austragungsorte gesellschaftlicher Konflikte" >
|
|||
|
|
</a>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="slide-content">
|
|||
|
|
|
|||
|
|
<a href="/kolumnen-janis-el-bira/kolumne-strassentheater-ueber-freibaeder-als-theatrale-settings-egalitaere-orte-und-austragungsorte-gesellschaftlicher-konflikte" title="Kolumne: Straßentheater – Über Freibäder als theatrale Settings, egalitäre Orte und Austragungsorte gesellschaftlicher Konflikte">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<h3>Kolumne: Straßentheater </h3>
|
|||
|
|
<div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="date">
|
|||
|
|
<p> Über Freibäder als theatrale Settings, egalitäre Orte und Austragungsorte gesellschaftlicher Konflikte</p> 18. Juli 2023 </div>
|
|||
|
|
|
|||
|
|
</a>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide__container">
|
|||
|
|
<div style="display:none">images/stories/kolumne/NAC_Kolumne_Wolf.png</div>
|
|||
|
|
<a href="/kolumnen-michael-wolf/kolumne-als-ob-3">
|
|||
|
|
<img src="/images/stories/kolumne/NAC_Kolumne_Wolf.png" alt="" title="Kolumne: Als Ob – Über Nichtverlängerungen" >
|
|||
|
|
</a>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="slide-content">
|
|||
|
|
|
|||
|
|
<a href="/kolumnen-michael-wolf/kolumne-als-ob-3" title="Kolumne: Als Ob – Über Nichtverlängerungen">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<h3>Kolumne: Als Ob </h3>
|
|||
|
|
<div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="date">
|
|||
|
|
<p> Über Nichtverlängerungen</p> 11. Juli 2023 </div>
|
|||
|
|
|
|||
|
|
</a>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide__container">
|
|||
|
|
<div style="display:none">images/stories/kolumne/visuals_2023/23_NAC_kolumnen_einzel_hussein_2x2.png</div>
|
|||
|
|
<a href="/atif-mohammed-nour-hussein/kolumne-grand-guignol-im-opernhaus-foerderung-des-freien-theaters-und-die-forstarbeit-von-jurys">
|
|||
|
|
<img src="/images/stories/kolumne/visuals_2023/23_NAC_kolumnen_einzel_hussein_2x2.png" alt="" title="Kolumne: Grand Guignol im Opernhaus – Förderung des freien Theaters und die Forstarbeit von Jurys" >
|
|||
|
|
</a>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="slide-content">
|
|||
|
|
|
|||
|
|
<a href="/atif-mohammed-nour-hussein/kolumne-grand-guignol-im-opernhaus-foerderung-des-freien-theaters-und-die-forstarbeit-von-jurys" title="Kolumne: Grand Guignol im Opernhaus – Förderung des freien Theaters und die Forstarbeit von Jurys">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<h3>Kolumne: Grand Guignol im Opernhaus </h3>
|
|||
|
|
<div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="date">
|
|||
|
|
<p> Förderung des freien Theaters und die Forstarbeit von Jurys</p> 04. Juli 2023 </div>
|
|||
|
|
|
|||
|
|
</a>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide__container">
|
|||
|
|
<div style="display:none">images/stories/kolumne/NAC_Illu_Kolumne_Kasch_2x2.png</div>
|
|||
|
|
<a href="/kolumnen-georg-kasch/kolumne-queer-royal-symbolpolitik-realitaet">
|
|||
|
|
<img src="/images/stories/kolumne/NAC_Illu_Kolumne_Kasch_2x2.png" alt="" title="Kolumne: Queer Royal – Über Symbolpolitik und harte Realitäten im Pride Month" >
|
|||
|
|
</a>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="slide-content">
|
|||
|
|
|
|||
|
|
<a href="/kolumnen-georg-kasch/kolumne-queer-royal-symbolpolitik-realitaet" title="Kolumne: Queer Royal – Über Symbolpolitik und harte Realitäten im Pride Month">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<h3>Kolumne: Queer Royal </h3>
|
|||
|
|
<div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="date">
|
|||
|
|
<p> Über Symbolpolitik und harte Realitäten im Pride Month</p> 27. Juni 2023 </div>
|
|||
|
|
|
|||
|
|
</a>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<div class="splide__slide__container">
|
|||
|
|
<div style="display:none">images/stories/kolumne/NAC_Illu_Kolumne_Behrens_2x2.png</div>
|
|||
|
|
<a href="/kolumnen-wolfgang-behrens/kolumne-als-ich-noch-ein-kritiker-war-chatgtp-als-rezensent-in">
|
|||
|
|
<img src="/images/stories/kolumne/NAC_Illu_Kolumne_Behrens_2x2.png" alt="" title="Kolumne: Als ich noch ein Kritiker war – ChatGPT als Rezensent(in)" >
|
|||
|
|
</a>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="slide-content">
|
|||
|
|
|
|||
|
|
<a href="/kolumnen-wolfgang-behrens/kolumne-als-ich-noch-ein-kritiker-war-chatgtp-als-rezensent-in" title="Kolumne: Als ich noch ein Kritiker war – ChatGPT als Rezensent(in)">
|
|||
|
|
|
|||
|
|
|
|||
|
|
<h3>Kolumne: Als ich noch ein Kritiker war </h3>
|
|||
|
|
<div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<div class="date">
|
|||
|
|
<p> ChatGPT als Rezensent(in)</p> 20. Juni 2023 </div>
|
|||
|
|
|
|||
|
|
</a>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
</div>
|
|||
|
|
</div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
|
|
<script>
|
|||
|
|
|
|||
|
|
document.addEventListener( 'DOMContentLoaded', function () {
|
|||
|
|
new Splide( '#secondary-slider', {
|
|||
|
|
perPage: 3,
|
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|
|
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|
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|
|
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|
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|
|
cover: true,
|
|||
|
|
pagination: false,
|
|||
|
|
} ).mount();
|
|||
|
|
} );
|
|||
|
|
|
|||
|
|
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<div class="module comments"><h3 ><a href="/index.php?option=com_content&view=article&id=9166&Itemid=100372">neueste kommentare <span class="sec-link">></span> </a></h3><ul class="jcomments-latest">
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Leserkritik </span>
|
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<a class="title" href="/leser-innenkritiken#comment-105434" title="Leserkritik: Cement Beograd, Berlin">
|
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Cement Beograd, Berlin </a>
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|
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Salzburger Namen geleakt </span>
|
|||
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<a class="title" href="/meldungen/salzburger-jedermann-erste-namen-geleakt#comment-105431" title="Salzburger Namen geleakt: Freude">
|
|||
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Freude </a>
|
|||
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<span class="article">
|
|||
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Offener Brief der Autor*innen </span>
|
|||
|
|
<a class="title" href="/meldungen/antisemitismus-offener-brief-von-autor-innen#comment-105428" title="Offener Brief der Autor*innen: Warum nicht?">
|
|||
|
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Warum nicht? </a>
|
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|
|||
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Offener Brief Autor*innen </span>
|
|||
|
|
<a class="title" href="/meldungen/antisemitismus-offener-brief-von-autor-innen#comment-105427" title="Offener Brief Autor*innen: Kernsache">
|
|||
|
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Kernsache </a>
|
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<span class="article">
|
|||
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Offener Brief Autor*innen </span>
|
|||
|
|
<a class="title" href="/meldungen/antisemitismus-offener-brief-von-autor-innen#comment-105426" title="Offener Brief Autor*innen: Fahrlässig">
|
|||
|
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Fahrlässig </a>
|
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|
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|
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Offener Brief Autor*innen </span>
|
|||
|
|
<a class="title" href="/meldungen/antisemitismus-offener-brief-von-autor-innen#comment-105424" title="Offener Brief Autor*innen: Streitraum Theater">
|
|||
|
|
Streitraum Theater </a>
|
|||
|
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<div>
|
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|
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<span class="article">
|
|||
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Offener Brief Autor*innen </span>
|
|||
|
|
<a class="title" href="/meldungen/antisemitismus-offener-brief-von-autor-innen#comment-105420" title="Offener Brief Autor*innen: Haltung zeigen">
|
|||
|
|
Haltung zeigen </a>
|
|||
|
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<div>
|
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|
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|
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<span class="article">
|
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Offener Brief Autor*innen </span>
|
|||
|
|
<a class="title" href="/meldungen/antisemitismus-offener-brief-von-autor-innen#comment-105418" title="Offener Brief Autor*innen: Differenz">
|
|||
|
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Differenz </a>
|
|||
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|
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|
|||
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<span class="article">
|
|||
|
|
Zeit für Freude, Oberhausen </span>
|
|||
|
|
<a class="title" href="/nachtkritiken/deutschland/nordrhein-westfalen/oberhausen/theater-oberhausen/zeit-fuer-freude-theater-oberhausen-katrin-maedler-inszeniert-die-erstauffuehrung-von-arne-lygres#comment-105413" title="Zeit für Freude, Oberhausen: Exaltierte Mütter">
|
|||
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Exaltierte Mütter </a>
|
|||
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|
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|
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<span class="article">
|
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Offener Brief Autor*innen </span>
|
|||
|
|
<a class="title" href="/meldungen/antisemitismus-offener-brief-von-autor-innen#comment-105412" title="Offener Brief Autor*innen: Manichäismus hat gesiegt">
|
|||
|
|
Manichäismus hat gesiegt </a>
|
|||
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|
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<p><ins class="asm_async_creative" style="display:inline-block; width:240px; height:auto;text-align:left; text-decoration:none;" data-asm-cdn="cdn.adspirit.de" data-asm-host="unitedtalents.adspirit.de" data-asm-params="pid=26&gdpr_consent=[consentstring]"></ins><script src="//cdn.adspirit.de/adasync.min.js" async type="text/javascript"></script></p></div>
|
|||
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</div>
|
|||
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|
|||
|
|
<div class="nkmod"><h3>der<span class="or">theaterpodcast</span></h3><div class="podcast-preview">
|
|||
|
|
|
|||
|
|
<a href="/kolumnen-georg-kasch/theaterpodcast-61-puppen-und-figurentheater" title="Theaterpodcast (61) – Puppen- und Figurentheater">
|
|||
|
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|
|||
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|
|||
|
|
<img src="/images/cache/1a38e4a4188a7560725ba78023658fe3_w248_h210_cp.jpg" alt="" title="Theaterpodcast (61) – Puppen- und Figurentheater">
|
|||
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|
|||
|
|
<div class="titleinimg">#61<br>Puppen- und Figurentheater</div>
|
|||
|
|
<!--
|
|||
|
|
<figcaption>
|
|||
|
|
Nikolaus Habjan mit einer seiner Puppen © Lukas Beck </figcaption>
|
|||
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-->
|
|||
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|||
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|||
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|
</a>
|
|||
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|||
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</div>
|
|||
|
|
</div><div class="nkmod"><h3>nachtkritik<span class="red">vorschau</span></h3>
|
|||
|
|
|
|||
|
|
<div class="nkmod" >
|
|||
|
|
<p style="text-align: none;"><span role="figure" class="wf_caption" style="max-width: 527px; width: 100%; display: inline-block;"><a href="/vorschau/theater"><img src="/images/dt_visuals/NAC_Illu_Premieren_3x2.png" alt="charts mod" longdesc="Bildbeschreibung" style="width: 100%; margin: initial;" role="figure" width="527" height="351" /></a><span style="display: block;">
|
|||
|
|
<script>
|
|||
|
|
document.write(new Date().toLocaleString('de-de',{month:'long',year:'numeric' }).toUpperCase())
|
|||
|
|
</script>
|
|||
|
|
</span></span></p></div>
|
|||
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|
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|
|||
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|
|||
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|
|||
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<div class="nkmod" >
|
|||
|
|
<p><ins class="asm_async_creative" style="display:inline-block; width:240px; height:auto;text-align:left; text-decoration:none;" data-asm-cdn="cdn.adspirit.de" data-asm-host="unitedtalents.adspirit.de" data-asm-params="pid=3&gdpr_consent=[consentstring]"></ins><script src="//cdn.adspirit.de/adasync.min.js" async type="text/javascript"></script></p></div>
|
|||
|
|
</div>
|
|||
|
|
<div class="nkmod"><h3>nachtkritik<span class="lightblue">newsletter</span></h3>
|
|||
|
|
|
|||
|
|
<div class="nkmod" >
|
|||
|
|
<p style="text-align: none;"><span role="figure" class="wf_caption" style="max-width: 526px; width: 100%; display: inline-block;"><a href="/newsletter-abonnieren" title="newsletter abonnieren"><img src="/images/dt_visuals/newsletter/23_NAC_NL_button.png" alt="charts mod" longdesc="Bildbeschreibung" style="width: 100%; margin: initial;" role="figure" width="494" height="278" /></a><span style="display: block;">JETZT ABONNIEREN</span></span></p></div>
|
|||
|
|
</div><div class="nkmod"><h3>digitaler<span class="red">spielplan</span></h3>
|
|||
|
|
|
|||
|
|
<div class="nkmod" >
|
|||
|
|
<p style="text-align: none;"><span role="figure" class="wf_caption" style="max-width: 526px; width: 100%; display: inline-block;"><a href="/digitaler-spielplan"><img src="/images/dt_visuals/NAC_Digi_Splan_16x9n.png" alt="charts mod" longdesc="Bildbeschreibung" style="width: 100%; margin: initial;" role="figure" width="526" height="296" /></a><span style="display: block;">DIGITALER SPIELPLAN</span></span></p></div>
|
|||
|
|
</div>
|
|||
|
|
</div>
|
|||
|
|
|
|||
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</div>
|
|||
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</div>
|
|||
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</div>
|
|||
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|
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<li class="item item-100942"><a href="https://de-de.facebook.com/nachtkritik/" class="nav-link facebook" onclick="window.open(this.href, 'targetWindow', 'toolbar=no,location=no,status=no,menubar=no,scrollbars=yes,resizable=yes,'); return false;">facebook</a></li><li class="item item-100943"><a href="https://twitter.com/nachtkritik" class="nav-link twitter" onclick="window.open(this.href, 'targetWindow', 'toolbar=no,location=no,status=no,menubar=no,scrollbars=yes,resizable=yes,'); return false;">twitter</a></li><li class="item item-100944"><a href="https://www.instagram.com/nachtkritik" class="nav-link instagram" onclick="window.open(this.href, 'targetWindow', 'toolbar=no,location=no,status=no,menubar=no,scrollbars=yes,resizable=yes,'); return false;">instagram</a></li></ul>
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zones:Array
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(
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[13] => 9
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[14] => 9
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[15] => 9
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[16] => 11
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